Keswick School of Industrial Art, 1900–1904 The exhibition was reviewed by The International Studio, with Maryon's work singled out as "agreeable". At the end of 1899 he displayed a silver cup and a shield of arms with silver cloisonné at the sixth exhibition of the Arts and Crafts Exhibition Society, an event held at the New Gallery which also included a work by his sister Edith. During this time, and while still in school beforehand, he created and exhibited many of his own works. Sculpture įrom 1900 until 1939, Maryon held various positions teaching sculpture, design, and metalwork. At some point, though perhaps later, Maryon also worked in the workshop of George Frampton, and was taught by Robert Catterson Smith. Ashbee's Essex House Guild of Handicrafts, and worked for a period of time in Henry Wilson's workshop. Maryon further received a one-year silversmithing apprenticeship in 1898, at C. Under Fisher in particular, Maryon learned enamelling. Īfter receiving his general education at The Lower School of John Lyon, Herbert Maryon studied from 1896 to 1900 at the Polytechnic (probably Regent Street), The Slade, Saint Martin's School of Art, and, under the tutelage of Alexander Fisher and William Lethaby, the Central School of Arts and Crafts. According to a pedigree compiled by John Ernest Maryon, the Maryons traced back to the de Marinis family, a branch of which left Normandy for England around the 12th century. Another brother and three sisters were born after him-in order, George Christian, Flora Mabel, Mildred Jessie, and Violet Mary-although Flora Maryon, born in 1878, died in her second year. He had an older brother, John Ernest, and an older sister, Louisa Edith, the latter of whom preceded him in his vocation as a sculptor. He was the third of six surviving children born to John Simeon Maryon, a tailor, and Louisa Maryon (née Church). Herbert James Maryon was born in London on 9 March 1874. He left the museum in 1961, a year after his official retirement, and began an around-the-world trip lecturing and researching Chinese magic mirrors. He proposed a widely publicised theory in 1953 on the construction of the Colossus of Rhodes, influencing Salvador Dalí and others, and restored the Roman Emesa helmet in 1955. The initial work ended in 1950, and Maryon turned to other matters. Maryon's work, much of which was revised in the 1970s, created credible renderings upon which subsequent research relied likewise, one of his papers coined the term pattern welding to describe a method employed on the Sutton Hoo sword to decorate and strengthen iron and steel. His responsibilities included restoring the shield, the drinking horns, and the iconic Sutton Hoo helmet, which proved academically and culturally influential. In 1944 Maryon was brought out of retirement to work in the Sutton Hoo finds. He frequently led archaeological digs, and in 1935 discovered one of the oldest gold ornaments known in Britain while excavating the Kirkhaugh cairns. Maryon published two books while teaching, including Metalwork and Enamelling, and many other articles. He also designed the University of Reading War Memorial, among other commissions. After moving to the University of Reading and then Durham University, he taught sculpture, metalwork, modelling, casting, and anatomy until 1939. From 1900 to 1904 he served as the director of the Keswick School of Industrial Art, where he designed numerous Arts and Crafts works. Ashbee and worked in Henry Wilson's workshop. He is best known for his work on the Sutton Hoo ship-burial, which led to his appointment as an Officer of the Order of the British Empire.īy the time of his mid-twenties Maryon attended three art schools, apprenticed in silversmithing with C. Maryon practiced and taught sculpture until retiring in 1939, then worked as a conservator with the British Museum from 1944 to 1961. Herbert James Maryon OBE FSA FIIC (9 March 1874 – 14 July 1965) was an English sculptor, conservator, goldsmith, archaeologist and authority on ancient metalwork. John, Edith, George, Mildred, Violet (siblings) Sculptor, metalsmith, conservator-restorer
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