In conversations, it appeared that a sizable percentage of these users had abandoned their Windows boxes and bought Macs exclusively to run this stereo editor, so naturally I figured it high time we took a look. And a significant portion of those Mac-using VO artists were recording and editing on a program called Twisted Wave. Its an easy-to-use and powerful audio editor. However, amongst voice actors overall the percentage of Mac users versus Windows users seemed noticeably larger, at least in my informal survey. As you know, were always looking for new tools that make a founders life easier. At the most recent conference the number of Pro Tools users seemed about the same size as it had been in at the past conference. It was this last item that continues to interest me most. It is perhaps the most well-known free audio editor online no download that can be contrasted with the highlights of paid iOS and MAC sound-altering apparatuses. But many of the attendees simply had no interest in Pro Tools whatsoever, felt it over-complicated for VO, and showed up just to see if there was any reason to change their opinion. Some wanted hands-on time with it, some were intimidated by it, while still others hoped to find workflow tips to enhance their productivity on it. At that time, those who attended were interested in learning more about the state of Pro Tools for use in VO-oriented home studios, whether based on Macs or Windows boxes. This was the second time I’d attended this particular conference, having been to the first nearly two years ago when I presented a seminar on Pro Tools for voiceover work. Since the majority record and produce their product in home studios rather than in commercial studios equipped with recording engineers, there were several sessions devoted to effective home recording, and to the hardware and software best suited to that activity. The attendees were all professional voice actors whose craft generates the lion’s share of their annual incomes - no wanna-be noobs were allowed. I’ve been thinking about this since last month, when I attended a voiceover-specific conference in Ventura, California, devoted to the art and business of voice acting. Having spent last month’s allotted column-inches examining yet another multitrack audio editor, it might serve to take a look at the current state of the art in the land of simple two-track recording and editing software.
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